Download Ebook Color Mixing Recipes for Portraits: More than 500 Color Combinations for Skin, Eyes, Lips & Hair
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Color Mixing Recipes for Portraits: More than 500 Color Combinations for Skin, Eyes, Lips & Hair
Download Ebook Color Mixing Recipes for Portraits: More than 500 Color Combinations for Skin, Eyes, Lips & Hair
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About the Author
William F. Powel is an internationally recognized artist and one of America's foremost colorists. He is the author of many art instructions books, including The Art of Watercolor, Color Mixing Recipes for Watercolor, Color Mixing Recipes for Portraits, and Drawing Made Easy: Dynamic Composition. A native of Huntington, West Virginia, Bill studied at the Art Student's Career School in New York; Harrow Technical College in Harrow, England; and the Louvre Free School of Art in Paris, France. He has been professionally involved in fine art, commercial art, and technical illustrations for more than 45 years. His experience as an art instructor includes oil, watercolor, acrylic, colored pencil, and pastel—with subjects ranging from landscapes to portraits and wildlife. As a renowned master of color, Bill has conducted numerous "Color Mixing and Theory" workshops in various cities throughout the US. Additionally, he has performed as an art consultant for national space programs and for several artist's paint manufacturers. Bill's work has also included the creation of background sets for films, model making, animated cartoons, and animated films for computer mockup programs. He also produces instructional painting, color mixing, and drawing art videos.
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Product details
Series: Color Mixing Recipes
Spiral-bound: 48 pages
Publisher: Walter Foster Publishing; Spiral edition (November 1, 2006)
Language: English
ISBN-10: 1560109904
ISBN-13: 978-1560109907
Product Dimensions:
6.8 x 0.6 x 9.9 inches
Shipping Weight: 12.8 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
222 customer reviews
Amazon Best Sellers Rank:
#21,323 in Books (See Top 100 in Books)
The color palettes and formulas are useful as a starting point; however, there are few examples of the colors used in an actual portrait to give them context. Having more illustrations using the formulas would have been very helpful.The racial/ethnic categories show a very limited understanding of what people of color actually look like. For instance, the author states that he has more Caucasian base-colors mixed than any other, “because Caucasian skin tones have the largest range.â€The largest range? Really?He has a category for Latino skin tones, and a few options within that category. But Latinos are not a distinct race; they are not all olive, or light brown. They are a group composed of people ranging from white to indigenous to African, with much admixture. Likewise, there are a few brown and red color options for black people, but black people range in color from very pale to very dark; like Latinos, there is a good amount of racial admixture within black populations. You could say the same for Asians, perhaps not the mixture, but there is a diversity of skin tones, and far more than the few shown here. India, alone, has people who range from very light to very dark, many with undertones that are not commonly found elsewhere. This is not just an academic objection, but a practical one. The categories are simply insufficient. So, if you are painting people who are not strictly Caucasian, just ignore the arbitrary classifications, and use the swatches to find colors that may suit.I found that red/pinkish/orange-based skin tones predominate, and it was harder to find representations of yellow/neutral/olive undertones (this is an issue with cosmetic foundations too, incidentally.)The formulas for hair colors were very useful. The section on watercolor is rather small (pages 38-43), so another resource may be necessary. Overall, an interesting book, which works for many. Just not what I needed.
Wow, white is not white and black is not black. So many shades and colors to make them both!I am learning about skin tones and my makeup artist instructor uses this book to teach color theory for Makeup Artist.
As an art teacher I suggested this book to several of my students. I like the spiral binding and the clear way it is laid out for easy reference. If is broken up into sections, so if you want a quick eye color its is easy to find. There are al lot of different ways to make and mix colors with acrylics, and just like cooking, getting a different perspective on color is helpful, The pages have a plastic coating that can be wiped off if used in the studio. In the back of the book there is a reusable chart that is gridded for laying out a particular color to get the right ratios of paint. This is a well though out book.Recently one of my favorite Acrylic paint companies offered a contest to artists for a color they mix, that might later be sold by this company. We all have different ways of getting colors, and it is interesting that even paint companies recognize that mixing custom colors is an art and there are a lot of different to go about it.
It came in as described but it is quite hard to read and understand, took longer to make colors using this book than watching a video. The only good thing Is that it gives you name and photo of the colors Even though the chart wasn't helpful.
I'm a portrait artist, and whether I'm following a specific picture, going off different references, or just painting from my head I love having this reference. After going through some color theory and mixing techniques, it gives some basic color recipes for skin tone bases and then adds to them for different skin tones. It classifies based on the nationality and tone of your subject, then gives you a page of recipes for that skin type based on the lighting of your subject. I mainly use it for the skin recipes, but it also has some eye, lip and hair color recipes. It mainly supports oil paint, but also has a helpful section on watercolor and a conversion chart for acrylic. I'd recommend it for anyone who is into doing portraits.
Very helpful, but some of the formulas need to be checked, because some of the colors dont match the labels that they have. had to improvise to get some of the shades i want. So its not 100% accurate but it gives you a rough idea about the shades that you want.
JUST STOP PLAYING AROUND. IF YOU WANT TO PAINT SKIN OF ANY COLOR OR TONE YOU NEED THIS BOOK.
This book has increased my portrait painting productivity 10-fold. I tell everyone that it's the cheat-sheet to portraiture--it really is! It's wonderful that it has recipes for so many different skin tones, and it really breaks down the different shades of the planes of the face.While this book doesn't do all the work for you, it definitely helps to ensure that your palette remains consistent from start to finish. I've found in the past that color-matching whatever I'd put on my canvas in my last session takes up an enormous amount of time, and this book really takes the guess work out of that step.I'd recommend this book to beginners and professionals alike.
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